![]() ![]() And I think we really come up to the mark.īen Howdeshell: You see 3-D films that were shot in 2-D, and they look like pop-up books, or paper cutouts. Everyone has benefited from what James Cameron did. Dave Watro from Pace-the company that developed, over several years, the Fusion 3-D camera system used for Avatar––perfected the rigs and the camera equipment further. Niven Howie: The 3-D is absolutely stunning. Following are excerpts from that conversation. During the post-production process, editor Niven Howie, visual effects editor Mark Herman and first assistant Ben Howdeshell discussed how they worked stereoscopically on the film with CineMontage. Working in 3-D literally added a new dimension of difficulty for picture editorial on Resident Evil: Afterlife. Post-Production team for Resident Evil: Afterlife Left to right: first assistant Ben Howdeshell, editor Niven Howie and visual effects editor Mark Herman. ![]()
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